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Commander
in Chief
by Ishmael Williams |
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So
the 2005/2006 television season is well underway, and
while many I am sure flocked to the new SF offerings, I
walk a different path. First up is the new political
drama to grace the airwaves,
Commander-in-Chief.
The premise: Mackenzie Allen, a school chancellor,
registered liberal, was picked by a Republican
presidential candidate as his running mate to help
capture the women's vote. This ticket won and ascended
to power, making Allen the first female Vice-President.
Two years into their term, the President suffers a fatal
stroke, opening the way for the first female President
of the United States. But, on his deathbed, the ailing
President enjoins her to resign, as does his Chief of
Staff, another key cabinet member, and the Speaker of
the House. In the end, of course or there were would be
no series, she has herself sworn in.
Geena Davis stars in this effort, playing the beleaguered
Mackenzie Allen well, and showing us what it might be
like to balance the demands of the highest office in the
land with the demands of the highest profession in life
(that of being a mother). She handles being beset on all
sides with grace, and Allen is determined to succeed in
what little time as President she may have. Davis has
come a long way since her last abortive television
series, a sitcom, showing that drama is a better forte
for her than was comedy, unless that comedy is
incidental. I rather like President Allen, from the
moment she decides to serve as President and on forward,
and this is testament to Davis' low key style of acting.
She always comes across as thoughtful, and yes, careful
and wary, but without ever losing the stuff that made
her desirable as a candidate.
Kyle Secor, last known by me on television for a brief
stint on
Crossing Jordan, plays her husband, the First
Gentleman (it's nice to know there IS terminology if and
when this really happens). And like most people close to
a gifted person, here perhaps is the real genius in this
union (no pun intended), handling his wife with
wonderful grace and wisdom, supporting her and adapting
to his new role from his former one (he was her Chief of
Staff when she was Vice President). I've always liked Secor, and it's good to see him in action again, and
nicer still to see him in something less gritty than
either
Crossing Jordan
or
Homicide: Life on the
Streets. He comes across as the perfect First
Gentleman, and indeed perhaps a little too perfect. But
I believe Secor will find ways, given the right scripts,
to reveal any darker histories in his character, but
still remain totally sympathetic.
Last of note, the Speaker of the House is played with
robust gusto by
Donald Sutherland. Sutherland is the
perfect choice when needing someone who can be smarmy
and sleazy in all the right sorts of oozing ways. With
snow white hair and a viper's smile, he strikes me as
the sort with whom you would not want to converses
without several witnesses present, and he portrays that
well. You never actually come to hate him, mostly
because you can see that he truly believes that
undermining the new president and questioning her at
every turn is the right thing to do for the country.
Don't go to this series looking for the kind of sharp
back-and-forth banter that has hallmarked
West
Wing. This series is slower paced, and much more
thoughtful. More than a cat and mouse, as
West
Wing
can often be, here is a game of chess, point and
counterpoint, as the Speaker works to oust Allen, and
she merely wants to, for now, serve out her term and do
some real work in governing the country. With those
ideals in mind, and largely because we were due
something different, the slower pace and works well for
this series. What they will have to work to avoid are
any real, true soap opera elements. As an antithesis to
its predecessor, this series focuses less on the actual
governing and more on the personalities and machinations
involved behind the scenes, and how those can be made to
affect governing. It is thought provoking in different
ways, and that makes it interesting to watch. But there
are sometimes too many personal elements involved as we
delve into how being The First Family affects her
children and husband. There is quite the challenge ahead
for the series in avoiding that trap.
Overall, i give this show three and half beakers. It's
well acted, and the characters, whether good or bad, are
likeable. You can both cheer for them and in the next
instant be repulsed by what they do. If anything, this
is probably the darker side of government and the
Presidency, and as long as they avoid melodrama, should
last through President Allen's two-year term. |
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E-Ring
by Ishmael Williams |
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In
an intro speech somewhat similar to the opening of
Law and Order
we are introduced to the most important wing of the
Pentagon, the
E-Ring. From here, sensitive military
operations are planned and executed all around the
globe. We get to watch the stories of how these happen.
It's fitting perhaps that we get the similar-in-tone
speech at the opening of the show, since this series
stars
Benjamin Bratt, a
Law and Order
alumnus. Here he plays Major Jim Tisnewski, a soldier
brought home from field duty to serve in the Pentagon,
possibly the one place more political than Capitol Hill.
His job is to confirm and define sensitive military
operations, and get them executed. It's a simple plot.
What makes this show work is watching Tisnewski either
rein in his combat charged, gung-ho attitude, or use
that attitude to get the job done. He is naive in the
ways of these politics and driven solely by a desire to
do the right thing. Ben Bratt has a nice, easy going
charm that fits him well, and serves well in this
series. It's neither forced, to leave you think he's
trying too hard, or so low-key you miss it. What
impresses most is how he projects the drive and desire
of Tisnewski, and the frustration at being a man of
action hamstrung in a highly political world.
He is ably assisted by Marine Sgt. Jocelyn Pierce,
played with stiff lipped stoicness by
Aunjanue Ellis. Here is a marine who
helps define marine, and whose job is to keep Tisnewski
and his superior officer out of prison. This is the
protocol officer, the one on whom these free-wheeling
men depend to keep all the i's dotted and all the t's
crossed. I like this portrayal a lot, as it's very
no-nonsense, but at the same time, not the
conscience-foil for Tisnewski's attitude.
Speaking of superior officers,
Dennis Hopper has signed on as
Tisnewski's commanding officer. It's refreshing to see a
big name actor do a turn on the small screen, and the
scenes with Hopper generally pop with his energy and
talent. Rounding out the commanding officer level is the
great
Joe Morton, one of the most underrated
actors in Hollywood, who has made good screen presences
on television (Equal
Justice,
Law and Order)
and the big screen (Terminator
2). No one does expressive acting
better.
I really like this show because it moves easily from the
frantic pace of putting a mission together (they are
always time critical), to more thoughtful moments of
realizing the ramifications of the missions. And it is
interesting to view the inner workings, dramatized or
not, of the Pentagon. I do wonder, though, that if the E
ring is the most important ring, A) why is it the outer
most ring, and B) what do the other wings do?
Ultimately, though, I can only give the show 3 beakers
because it's a one trick pony. As noted, each week we
are treated to a scenario that requires the assembling
of a sensitive military operation. Such operations must
be signed off by the Joint Chiefs of Staff. So far each
week we've been treated to attempts to convince the
chiefs and/or their advisors of the importance and need
for the carious missions. Of course, we always succeed,
both at the convincing and the mission. While I can
appreciate the need to not present a failure early in
the game, it does take the guess work out of how the
missions will end by the time the hour is up. Still,
The A-Team made a fortune off formula
television, and they certainly did not have Bratt's
considerable charm, or the acting chops of Hopper and
Morton. With those credentials, this show will hopefully
last a while. |
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