MISFITS Views

O Brother Where Art Thou Review
by Tim Wick

Sometimes it is really frustrating to live in Minnesota. The Coen Brothers' O Brother Where Art Thou has been available on the coasts for a few weeks but we have only just gotten our first look at it. Traffic was just released and we have to wait until next week to see the universally loved Crouching Tiger, Hidden Dragon. I'm not saying we haven't had the option of watching some decent movies (go watch The Emperors New Groove) but I hate waiting for films I've been anxiously watching for since the middle of the year.

How can you go wrong with an adaptation of Homer's The Odyssey written by the Coen Brothers and starring George Clooney? If you read Entertainment Weekly you would get the impression that it's pretty easy. Owen Glieberman picked this as the worst film of the year. Knowing what esteem I hold for his colleague Lisa Schwartzbottom (I think she's a pompous movie hater who seems more concerned with a clever turn of phrase than she does with enjoying a film for it's own sake), you might guess that I have similar feelings for Glieberman.

On the other hand, Harry Knowles of Ain't it Cool News placed this film in his top 15 for the year. Harry loves movies and loves way more movies than he hates. Still, he tends to place pretty strong films in his year end list and I end up agreeing with most of them (my #1 pick of 1999 was Magnolia, he placed it #2 behind Toy Story 2 - which also made my list).

For the record, both of these guys see close to every film released in a calendar year. Usually they see them months in advance of the rest of us. I have seen a measly fifty Y2K releases so far and probably will top out around fifty five before I do my top ten list (depending on how many I can rent in the next month).

Still, I think I land firmly in the Knowles camp on this one. O Brother Where Art Thou is campy fun that kept me laughing only slightly less than The Emperors New Groove (go watch The Emperors New Groove).

For you fans of The Odyssey, let me remind you the film is "based on" the book. You will recognize some characters and situations from the book to be sure. But this movie is about three escaped convicts in Mississippi, not a triumphant hero returning from the Trojan war. If you are expecting a trip to Hades to talk to the slain Agamemnon, you may be in for a bit of a let down.

But despite it's "hick" setting, the film is startlingly epic in nature. Essentially what you are watching is a road movie as our convicts try to find a stash of money from a bank job before the law catches up with them. Along the way they encounter hardships and windfalls but they always seem to end up being chased by the law before they can enjoy their gain or mourn their loss. Every step that is meant to get them closer to home seems to draw them further away. Through it all, the Coen's gift for verbal humor keeps the film going even as the characters are stuck.

I'm not going to lie and say that I hate George Clooney. I even think he would have made a great Batman in a movie that wasn't written by Akiva Goldsman and directed by Joel Schumaker. But the last two films I've seen him in have been great showcases of his versatility. In Three Kings he was smart, compassionate and tough. In O Brother he is dirty, wordy and only bright when compared to his travelling companions. He is reminiscent of Clark Gable in all the right ways, managing to be charming through a cake of sweat and dirt. You liked his character in spite of everything.

He was supported by Coen Regular John Turturro and comparative newcomer Tim Blake Nelson. Both are none too bright convicts who would not even be with Clooney had he found a way to cut their chains before he ran. The three of them form something of a stooge act, but not in an annoying way (I hate the Three Stooges - let's must make that very clear).

The cinematography sets a very strong mood. The movie feels hot and oppressive throughout, with the only moments of freedom coming at night as our hero's gather around the camp fire. As long as our boys are running, the world is drab. When they find freedom, even for a few moments, the world becomes real again.

This film is not for everyone. The narrative is a bit tough to follow and the humor can be obscure or just plain weird at times. However, if you are a Coen brothers fan, the film does not disappoint. Make some time to see it.

 

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National Film Registry additions for 2000: Some New Classic Films.(01/05/2001)

The Emperor's New Groove Review: A Letter to Michael Eisner (12/28/2000)

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Miss Congeniality Review: A beauty... (12/26/2000)

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O Brother Where Art Thou
* * * *
Four and A Half Beakers
(out of five)

Based on his belief that people coming to this site give a rip about his opinion, you have probably guessed that Tim Wick has a pretty big ego. Despite having no experience as a critic, he insists on writing these boorish reviews of movies in a vain attempt to feel more important. Since it allows us to put up new material on the site and keep you all coming back for more, we go ahead and humor him.

We don't know anything about Tim's past. We assume that he just walked out of the west like Cain in Kung Fu, but we don't really care. He is a member of the board of directors for MISFITS and runs the read the book/see the movie club.

Or so he claims...

You can also read Tim's thoughts on the National Film Registry additions for 2000.

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