Crazy in Alabama Reviewby Tim Wick
We don't do a lot of book reviews on this site (because no one sends us any!)) and even the book/movie club
reviews are woefully behind. So why do I choose to write a review about a
book and movie that aren't science fiction related, aren't being
read/watched by the book/movie club and are pretty old to boot?
Simple, Crazy in Alabama is a very good book. The movie is crap. Given
that many people I know are avid movie watchers, but probably wouldn't take
the time to pick up a non science fiction/fantasy book, I'm guessing that
watching this misguided piece of fluff would make them think that the book
was equally awful.
But here are some facts about the differences between the book and the movie
so you - the avid reader of MISFITS reviews - can make an informed decision:
The book is about having the courage and resolve to fight for what you
believe in. The movie is about spousal abuse and doing the right thing.
In the book, we see solid, painful results because one of the main
characters chooses not to act in a way he believes to be right. He thinks
he is doing the best thing for his family and for himself, but he is wrong.
The results of that choice are devastating.
The movie stars Melanie Griffith's lips. The book does not.
This is very important. I can only watch so many shots of Melanie
Griffith's lips. Griffith's character, Lucille, is from Alabama and the
book often refers to the accent she speaks in. They refer to this accent in
the movie, but the accent I heard was a perfect replication of the accent
she used in Working Girl and every other film she has been in. The only
way we knew it was a southern accent was because other characters told us it
was.
The movie is directed by Antonio Banderas.
Given he is Griffith's husband, we can assume that has a lot to do with the
repeated close ups of her lips (as if he doesn't see them enough). This was
his directorial debut, and like many actors who turn director, it was all
due to star power rather than actual skill behind the camera. He wanted to
make a movie starring his wife. He should not have chosen such subtle
source material.
The civil rights movement in the 60's wasn't pretty to watch.
The book knows that. The death, pain, illegal imprisonment and showboating
that were a part of the civil rights conflict in Alabama are completely
absent from the film. An appearance by Martin Luther King uses soft,
dreamlike filters so we know he is the savior. King was a great man, but he
was most certainly a man - try shooting him like one. When violence breaks
out in the movie, we don't see the gruesome reality (probably because they
were going for a PG rating), we see flashes of sanitized reality.
Sex is an important tool of power in the book.
But not in the movie. Again this must be a function of the PG rating, but
the character of Lucille loses a great deal of her powerful center as a
result. She uses sex as a tool to get what she wants and has no regrets
about doing so. This character trait is abandoned in the film and it
weakens the character.
The characters that are left out of the film are important.
I don't want to give much away, but I have to say that I know you sometimes
have to cut characters for a screenplay. Go and read the book and ask
yourself how the movie would be if they cut Milton. It wouldn't be the same
story, would it? My point exactly.
So here's my point - this is a brilliant book. The movie turns it into a
banal morality tale that completely ignores the deeper, harsher morality
tale of the source material.
So buy the book - or call me and I'll lend it to you. Feel free to skip the
film. Let's try to keep Melanie Griffith out of work. It's better for all
of us.
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Crazy in Alabama: The Book
Four and a Half Beakers (out of five)
Crazy in Alabama: The Movie
Zero Beakers (out of five)
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Based on his belief that people coming to this site give a rip about his
opinion, you have probably guessed that Tim Wick has a pretty big ego.
Despite having no experience as a critic, he insists on writing these boorish
reviews of movies in a vain attempt to feel more important. Since it allows
us to put up new material on the site and keep you all coming back for more,
we go ahead and humor him.
We don't know anything about Tim's past. We assume that he just walked out
of the west like Cain in Kung Fu, but we don't really care. He is a member
of the board of directors for MISFITS and runs the read the book/see the
movie club.
Or so he claims...
You can also read Tim's thoughts on Charlie's Angels
.
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